The Poet X is A Stunning Amplification Of The Latina Experience From Harlem

Entertainment Weekly reports that Xiomara Batista is often urged to bite her tongue. The “miracle” of her and her twin brother Xavier’s births to her aging Dominican parents makes Xio feel like a spectacle in her Harlem community, a constant point of conversation and judgment. This hypervisibility only increased when her body blossomed into womanly curves, forcing her to fend off unwanted advances by local boys with her fists. Ironically, the confines of her devoutly religious mother’s rules stripped the 16-year-old of her ability to voice her own beliefs (and doubts). It wasn’t until she joined a slam poetry club at school that she found a home for her words and the courage to express them freely. Through the pressure of her mother’s expectations, the comparison to “Twin’s” perfection, and her forbidden exploration of first love, Xiomara spins her perspectives into stanzas, embracing The Poet X.

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Elizabeth Acevedo’s debut novel, written in verse, continuously draws in its reader with sensory-igniting imagery. This work is broken into three major sections, which are ironically titled with Bible scriptures from the book of John, juxtaposing Xiomara’s rejection of religion. In each, our heroine’s journey mimics the context of verse that proceeds it. The reader walks with Xio from submission to rebellion to liberation, and as her perspective changes, so does the stanza structure to encourage appropriate pacing in the absence of performance; the pacing of words conveys the protagonist’s mood, forcing the reader to feel as she feels and board her train of thought.

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Acevedo discovered her desire to author a novel in 2012 while working as an eighth grade English teacher in Prince George’s County, Maryland. Latinx students made up 77 percent of her school’s population, and she couldn’t understand why her students weren’t more interested in reading until a young girl made a striking observation.

“They don’t look like us. They’re not from our neighborhoods. They don’t speak like us. They don’t walk through the world like us. These ain’t our books.”

“These books aren’t about us,” Acevedo recalled during the launch party for The Poet X, held at the Alianza Dominicana Cultural Center in Manhattan’s Washington Heights neighborhood. “They don’t look like us. They’re not from our neighborhoods. They don’t speak like us. They don’t walk through the world like us. These ain’t our books.”

Read the entire review here.

 


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