Harlem’s Althea Gibson First Black Woman To Win A Championship At Wimbledon

May 16, 2019

Althea Gibson, August 25, 1927 – September 28, 2003, was an American tennis player and professional golfer, and the first black athlete of either gender to cross the color line of international tennis. In 1956 she became the first person of color to win a Grand Slam title (the French Open). The following year she won both Wimbledon and the U.S. Nationals (precursor of the U.S. Open), then won both again in 1958, and was voted Female Athlete of the Year by the Associated Press in both years. In all she won 11 Grand Slam tournaments, including six doubles titles, and was inducted into the International Tennis Hall of Fame and the International Women’s Sports Hall of Fame. “She is one of the greatest players who ever lived,” said Robert Ryland, a tennis contemporary and former coach of Venus and Serena Williams. “Martina couldn’t touch her. I think she’d beat the Williams sisters.” In the early 1960s she also became the first black player to compete on the women’s professional golf tour.

At a time when racism and prejudice were widespread in sports and in society, Gibson was often compared to Jackie Robinson. “Her road to success was a challenging one,” said Billie Jean King, “but I never saw her back down.” “To anyone, she was an inspiration, because of what she was able to do at a time when it was enormously difficult to play tennis at all if you were black,” said former New York City Mayor David Dinkins. “I am honored to have followed in such great footsteps,” wrote Venus Williams. “Her accomplishments set the stage for my success, and through players like myself and Serena and many others to come, her legacy will live on.”

Gibson was born on August 25, 1927, in the town of Silver in Clarendon County, South Carolina, to Daniel and Annie Bell Gibson. The Great Depression hit rural southern farmers sooner than much of the rest of the country,  so in 1930 the family moved to Harlem, where Althea’s three sisters and brother were born.  Their apartment was located on a stretch of 143rd Street that had been designated a Police Athletic League play area; during daylight hours it was barricaded so that neighborhood children could play organized sports. Gibson quickly became proficient in paddle tennis, and by 1939, at the age of 12, she was the New York City women’s paddle tennis champion.

In 1940 a group of Gibson’s neighbors took up a collection to finance a junior membership and lessons at the Cosmopolitan Tennis Club in the Sugar Hill section of Harlem. In 1941 she entered — and won — her first tournament, the American Tennis Association (ATA) New York State Championship. She won the ATA national championship in the girls’ division in 1944 and 1945, and after losing in the women’s final in 1946, she won her first of ten straight national ATA women’s titles in 1947.  “I knew that I was an unusual, talented girl, through the grace of God,” she wrote. “I didn’t need to prove that to myself. I only wanted to prove it to my opponents.”

Gibson’s ATA success drew the attention of Walter Johnson, a Lynchburg, Virginia physician who was active in the African American tennis community.  Under Johnson’s patronage — he would later mentor Arthur Ashe as well — Gibson gained access to more advanced instruction and more important competitions, and later, to the United States Tennis Association (USTA).  In 1946 she moved to Wilmington, North Carolina under the sponsorship of another physician and tennis activist, Hubert A. Eaton and enrolled at Williston High School. In 1949 she became the first black woman, and the second black athlete (after Reginald Weir), to play in the USTA’s National Indoor Championships, where she reached the quarter-finals.  Later that year she entered Florida A&M University on a full athletic scholarship.

“The loser is always a part of the problem; the winner is always a part of the answer. The loser always has an excuse; the winner always has a program. The loser says it may be possible, but it’s difficult; the winner says it may be difficult, but it’s possible.” —Althea Gibson, 1991

In 1950, in response to intense lobbying from ATA officials and Alice Marble — who published a scathing open letter in the magazine American Lawn Tennis — Gibson received an invitation to compete in the United States National Championships (now the U.S. Open) at Forest Hills. She was the first black player of either gender ever selected and made her debut on her 23rd birthday. Although she lost narrowly in the second round in a rain-delayed, three-set match to Louise Brough, the reigning Wimbledon champion and former U.S. National winner, her participation received extensive national and international coverage. “No Negro player, man or woman, has ever set foot on one of these courts,” wrote journalist Lester Rodney at the time. “In many ways, it [was] even a tougher personal Jim Crow-busting assignment than was Jackie Robinson’s when he first stepped out of the Brooklyn Dodgers dugout.”

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In 1951 Gibson won her first international title, the Caribbean Championships in Jamaica,  and later that year became the first black competitor at Wimbledon, where she was defeated in the third round by Beverly Baker. In 1952 she was ranked seventh nationally by the USTA.  In the spring of 1953, she graduated from Florida A&M and took a job teaching physical education at Lincoln University in Jefferson City, Missouri. During her two years at Lincoln she became romantically involved with an Army officer whom she never named publicly, and considered enlisting in the Women’s Army Corps, but decided against it when the State Department sent her on a goodwill tour of Asia in 1955 to play exhibition matches with Ham Richardson, Bob Perry, and Karol Fageros. Many Asians in the countries they visited — Burma, Ceylon, India, Pakistan, and Thailand — “…felt an affinity to Althea as a woman of color and were delighted to see her as part of an official U.S. delegation. With the United States grappling over the question of race, they turned to Althea for answers, or at least to get a firsthand perspective.” Gibson, for her part, strengthened her confidence immeasurably during the six-week tour. When it was over she remained abroad, winning sixteen of eighteen tournaments in Europe and Asia against many of the world’s best players.

In 1956 Gibson became the first African-American athlete to win a Grand Slam event, the French Open singles championship. (She also won the doubles title, partnered with Briton Angela Buxton.)  Later in the season, she won the Wimbledon doubles championship (again with Buxton), the Italian national championship in Rome, and the Asian championship in Ceylon.  She also reached the quarter-finals in singles at Wimbledon and the finals at the U.S. Nationals, losing both to Shirley Fry.

1957 was, in her own words, “Althea Gibson’s year”.  In July she won Wimbledon — considered, at the time, the “world championship of tennis”. She was the first black champion in the tournament’s 80-year history, and the first champion to receive the trophy personally from Queen Elizabeth II. “Shaking hands with the queen of England,” she said, “was a long way from being forced to sit in the colored section of the bus.” She won the doubles championship as well, for the second year. Upon her return home, Gibson became only the second black American, after Jesse Owens, to be honored with a ticker tape parade in New York City, and Mayor Robert F. Wagner, Jr. presented her with the Bronze Medallion, the city’s highest civilian award. A month later she defeated Brough in straight sets to win her first U.S. National championship. “Winning Wimbledon was wonderful,” she wrote, “and it meant a lot to me. But there is nothing quite like winning the championship of your own country.” In all she reached the finals of eight Grand Slam events in 1957, winning the Wimbledon and U.S. National singles titles, the Wimbledon and Australian doubles championships, and the U.S. mixed doubles crown, and finishing second in Australian singles, U.S. doubles, and Wimbledon mixed doubles. At season’s end, she broke yet another barrier as the first black player on the U.S. Wightman Cup team, which defeated Great Britain 6-1.

In 1958 Gibson successfully defended her Wimbledon and U.S. National singles titles, and won her third straight Wimbledon doubles championship, with a third different partner. She was the number-one-ranked woman in the world and in the United States in both 1957 and 1958, and was named Female Athlete of the Year by the Associated Press in both years, garnering over 80% of the votes in 1958. She also became the first black woman to appear on the covers of Sports Illustrated and Time.

In late 1958, having won 56 national and international singles and doubles titles, including 11 Grand Slam championships, Gibson retired from amateur tennis. Prior to the Open Era there was no prize money at major tournaments, and direct endorsement deals were prohibited. Players were limited to meager expense allowances, strictly regulated by the USTA. “The truth, to put it bluntly, is that my finances were in heartbreaking shape,” she wrote. “Being the Queen of Tennis is all well and good, but you can’t eat a crown. Nor can you send the Internal Revenue Service a throne clipped to their tax forms. The landlord and grocer and tax collector are funny that way: they like cold cash … I reign over an empty bank account, and I’m not going to fill it by playing amateur tennis.”[ Professional tours for women were still 15 years away, so her opportunities were largely limited to promotional events. In 1959 she signed to play a series of exhibition matches against Karol Fageros before Harlem Globetrotter basketball games. When the tour ended she won the singles and doubles titles at the Pepsi Cola World Pro Tennis Championships in Cleveland, but received only $500 in prize money.

During this period, Gibson also pursued her long-held aspirations in the entertainment industry. A talented vocalist and saxophonist — and runner-up in the Apollo Theater‘s amateur talent contest in 1943  — she made her professional singing debut at W. C. Handy’s 84th birthday tribute at the Waldorf-Astoria Hotel in 1957.  An executive from Dot Records was impressed with her performance and signed her to record an album of popular standards. Althea Gibson Sings was released in 1959, and Gibson performed two of its songs on The Ed Sullivan Show in May and July of that year, but sales were disappointing. She appeared as a celebrity guest on the TV panel show What’s My Line? and was cast as a slave woman in the John Ford motion picture The Horse Soldiers (1959), which was notable for her refusal to speak in the stereotypic “Negro” dialect mandated by the script. She also worked as a sports commentator, appeared in print and television advertisements for various products, and increased her involvement in social issues and community activities.  In 1960 her first memoir, I Always Wanted to Be Somebody, written with sportswriter Ed Fitzgerald, was published.

Her professional tennis career, however, was going nowhere. “When I looked around me, I saw that white tennis players, some of whom I had thrashed on the court, were picking up offers and invitations,” she wrote. “Suddenly it dawned on me that my triumphs had not destroyed the racial barrier once and for all, as I had — perhaps naively — hoped. Or if I did destroy them, they had been erected behind me again.”

In 1964, at the age of 37, Gibson became the first African-American woman to join the Ladies Professional Golf Association (LPGA) tour. Racial discrimination continued to be a problem: Many hotels still excluded people of color, and country club officials throughout the south — and some in the north — routinely refused to allow her to compete. When she did compete, she was often forced to dress for tournaments in her car because she was banned from the clubhouse. Although she was one of the LPGA’s top 50 money winners for five years and won a car at a Dinah Shore tournament, her lifetime golf earnings never exceeded $25,000. She made financial ends meet with various sponsorship deals and the support of her husband, William Darben, brother of best friend and fellow tennis player Rosemary Darben, whom she married in 1965 (and divorced in 1976).

While she broke course records during individual rounds in several tournaments, Gibson’s highest ranking was 27th in 1966, and her best tournament finish was a tie for second after a three-way playoff at the 1970 Len Immke Buick Open. She retired from professional golf at the end of the 1978 season. “Althea might have been a real player of consequence had she started when she was young,” said Judy Rankin. “She came along during a difficult time in golf, gained the support of a lot of people, and quietly made a difference.”

In 1976 Gibson made it to the finals of the ABC television program Superstars, finishing first in basketball shooting and bowling, and runner-up in softball throwing. With the advent of the Open Era, she began entering major tennis tournaments again; but by then, in her forties, she was unable to compete effectively against younger players. She also attempted a golf comeback, in 1987, with the goal of becoming the oldest active tour player, but was unable to regain her tour card.  In a second memoir, So Much to Live For, she articulated her disappointments, including unfulfilled aspirations, the paucity of endorsements and other professional opportunities, and the many obstacles of all sorts that were thrown in her path over the years.

In 1972 she began running Pepsi Cola’s national mobile tennis project, which brought portable nets and other equipment to underprivileged areas in major cities. She ran multiple other clinics and tennis outreach programs over the next three decades and coached numerous rising competitors, including Leslie Allen and Zina Garrison. “She pushed me as if I were a pro, not a junior,” wrote Garrison in her 2001 memoir. “I owe the opportunity I received to her.”

In the early 1970s, Gibson began directing women’s sports and recreation for the Essex County Parks Commission in New Jersey. In 1976 she was appointed New Jersey’s athletic commissioner, the first woman in the country to hold such a role, but resigned after one year due to lack of autonomy, budgetary oversight, and adequate funding. “I don’t wish to be a figurehead,” she said. In 1977 she challenged incumbent Essex County State Senator Frank J. Dodd in the Democratic primary for his seat. She came in second behind Dodd, but ahead of Assemblyman Eldridge Hawkins. Gibson went on to manage the Department of Recreation in East Orange, NJ. She also served on the State Athletic Control Board and became supervisor of the Governor’s Council on Physical Fitness and Sports. In 1983 she married Sydney Llewellyn, her coach during her peak tennis years. That marriage also ended in divorce, after five years; she had no children.

In later years Gibson suffered two ruptured cerebral aneurysms, and in 1992, a stroke. A few years later she told her former doubles partner Angela Buxton that she was considering suicide, as she was living on welfare, and was unable to pay for rent or medication. (She had written to various tennis bodies for help; none replied.) Buxton arranged for a letter to appear in a tennis magazine, resulting in donations totaling nearly $1 million from around the world.

In early 2003 Gibson survived a heart attack, but died on September 28, 2003, at the age of 76 from complications following respiratory and bladder infections. She was interred in the Rosedale Cemetery in Orange, NJ near her first husband, Will Darben.

It would be 43 years before another black woman won a Grand Slam championship: Serena Williams won her first of five U.S. Opens in 1999, not long after faxing a letter and list of questions to Gibson. Her sister Venus then won back-to-back titles at Wimbledon and the U.S. Open in 2000 and 2001.

In 1980 Gibson became one of the first six inductees into the International Women’s Sports Hall of Fame, placing her on par with such pioneers as Amelia Earhart, Wilma Rudolph, Gertrude Ederle, Babe Didrikson Zaharias, and Patty Berg. Other inductions included the National Lawn Tennis Hall of Fame, the International Tennis Hall of Fame, the Florida Sports Hall of Fame, the Black Athletes Hall of Fame, the Sports Hall of Fame of New Jersey, the New Jersey Hall of Fame, the International Scholar-Athlete Hall of Fame, and the International Women’s Hall of Fame.

In 1991 Gibson became the first woman to receive the Theodore Roosevelt Award, the highest honor from the National Collegiate Athletic Association; she was cited for “symbolizing the best qualities of competitive excellence and good sportsmanship, and for her significant contributions to expanding opportunities for women and minorities through sports.” Sports Illustrated for Women named her to its list of the “100 Greatest Female Athletes”. In August 2013 the United States Postal Service issued a postage stamp honoring Gibson, the 36th in its Black Heritage series.

In a 1977 historical analysis of women in sports, New York Times columnist William C. Rhoden wrote, “Althea Gibson and Wilma Rudolph are, without question, the most significant athletic forces among black women in sports history. While Rudolph’s accomplishments brought more visibility to women as athletes … Althea’s accomplishments were more revolutionary because of the psychosocial impact on black America. Even to those blacks who hadn’t the slightest idea of where or what Wimbledon was, her victory, like Jackie Robinson’s in baseball and Jack Johnson‘s in boxing, proved again that blacks, when given an opportunity, could compete at any level in American society.”

On opening night of the 2007 U.S. Open, the 50th anniversary of her first victory at its predecessor, the U.S. Championships, in 1957, Gibson was inducted into the US Open Court of Champions.  “It was the quiet dignity with which Althea carried herself during the turbulent days of the 1950s that was truly remarkable,” said USTA president Alan Schwartz, at the ceremony. “[Her] legacy … lives on not only in the stadiums of professional tournaments, but also in schools and parks throughout the nation. Every time a black child or a Hispanic child or an Islamic child picks up a tennis racket for the first time, Althea touches another life. When she began playing, less than five percent of tennis newcomers were minorities. Today, some 30 percent are minorities, two-thirds of whom are African American. This is her legacy.”

Gibson’s five Wimbledon trophies are displayed at the Smithsonian Institution’s National Museum of American History.  The Althea Gibson Cup seniors tournament is held annually in Croatia, under the auspices of the International Tennis Federation (ITF).  The Althea Gibson Foundation identifies and supports gifted golf and tennis players who live in urban environments. In 2005 Gibson’s friend Bill Cosby endowed the Althea Gibson Scholarship at her alma mater, Florida A&M University.

In September 2009 Wilmington, North Carolina named its new community tennis court facility the Althea Gibson Tennis Complex at Empie Park. Other tennis facilities bearing her name include Manning High School (near her birthplace in Silver, South Carolina), the Family Circle Tennis Center in Charleston, SC, Florida A&M University, and Branch Brook Park in Newark, NJ. In 2012 a bronze statue, created by sculptor Thomas Jay Warren, was dedicated to her memory in Branch Brook Park. “I hope that I have accomplished just one thing,” she once wrote, “that I have been a credit to tennis, and to my country.” “By all measures,” reads the inscription on her Newark statue, “Althea Gibson certainly attained that goal.”

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