Countee Cullen May 30, 1903 – January 9, 1946, born as Coleman Rutherford, was an African American poet, author and scholar who was a leading figure in the Harlem Renaissance. (He pronounced his name “Coun-tay”, not “Coun-tee”.)
Porter brought young Countee to Harlem when he was nine. She died in 1918. No known reliable information exists of his childhood until 1918 when he was taken in, or adopted, by Reverend and Mrs Frederick A. Cullen of Harlem, New York City. The Reverend was the local minister, and founder, of the Salem Methodist Episcopal Church.
Countee Cullen was possibly born on May 30, although due to conflicting accounts of his early life, a general application of the year of his birth as 1903 is reasonable. He was either born in New York, Baltimore, or Lexington, Kentucky, with his widow being convinced he was born in Lexington. Cullen was possibly abandoned by his mother, and reared by a woman named Mrs. Porter, who was probably his paternal grandmother. Porter brought young Countee to Harlem when he was nine. She died in 1918. No known reliable information exists of his childhood until 1918 when he was taken in, or adopted, by Reverend and Mrs Frederick A. Cullen of Harlem, New York City. The Reverend was the local minister, and founder, of the Salem Methodist Episcopal Church.
At some point, Cullen entered the DeWitt Clinton High School in The Bronx. He excelled academically at the school while emphasizing his skills at poetry and in oratorical contest. At DeWitt, he was elected into the honor society, editor of the weekly newspaper, and elected vice-president of his graduating class. In January 1922, he graduated with honors in Latin, Greek, Mathematics, and French.
After graduating high school, he entered New York University (NYU). In 1923, he won second prize in the Witter Bynner undergraduate poetry contest, which was sponsored by the Poetry Society of America, with a poem entitled The Ballad of the Brown Girl. At about this time, some of his poetry was promulgated in the national periodicals Harper’s, Crisis, Opportunity, The Bookman, and Poetry. The ensuing year he again placed second in the contest and finally winning it in 1925. Cullen competed in a poetry contest sponsored by Opportunity. and came in second with To One Who Say Me Nay, while losing to Langston Hughes’s The Weary Blues. Sometime thereafter, Cullen graduated from NYU as one of eleven students selected to Phi Beta Kappa.
Cullen entered Harvard in 1925, to pursue a masters in English, about the same time his first collection of poems, Color, was published. Written in a careful, traditional style, the work celebrated black beauty and deplored the effects of racism. The book included “Heritage” and “Incident”, probably his most famous poems. “Yet Do I Marvel”, about racial identity and injustice, showed the influence of the literary expression of William Wordsworth and William Blake, but its subject was far from the world of their Romantic sonnets. The poet accepts that there is God, and “God is good, well-meaning, kind”, but he finds a contradiction of his own plight in a racist society: he is black and a poet. Cullen’s Color was a landmark of the Harlem Renaissance. He graduated with a master’s degree in 1926.
This 1920s artistic movement produced the first large body of work in the United States written by African Americans. However, Cullen considered poetry raceless, although his poem “The Black Christ” took a racial theme, lynching of a black youth for a crime he did not commit. Countee Cullen was very secretive about his life. His real mother did not contact him until he became famous in the 1920s.
The movement was centered in the cosmopolitan community of Harlem, in New York. During the 1920s, a fresh generation of writers emerged, although a few were Harlem-born.
The movement was centered in the cosmopolitan community of Harlem, in New York. During the 1920s, a fresh generation of writers emerged, although a few were Harlem-born. Other leading figures included Alain Locke (The New Negro, 1925), James Weldon Johnson (Black Manhattan, 1930), Claude McKay (Home to Harlem, 1928), Hughes (The Weary Blues, 1926), Zora Neale Hurston (Jonah’s Gourd Vine, 1934), Wallace Thurman (Harlem: A Melodrama of Negro Life, 1929), Jean Toomer(Cane, 1923) and Arna Bontemps (Black Thunder, 1935). The movement was accelerated by grants and scholarships and supported by such white writers as Carl Van Vechten.
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He worked as assistant editor for Opportunity magazine, where his column, “The Dark Tower”, increased his literary reputation. Cullen’s poetry collections The Ballad of the Brown Girl (1927) and Copper Sun (1927) explored similar themes as Color, but they were not so well received. Cullen’s Guggenheim Fellowship of 1928 enabled him to study and write abroad.
He met Nina Yolande Du Bois, daughter of W. E. B. Du Bois, the leading black intellectual. At that time Yolande was involved romantically with a popular band leader. Between the years 1928 and 1934, Cullen traveled back and forth between France and the United States.
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When Cullen married Yolande Du Bois in April 1928, it was the social event of the decade, but the marriage did not fare well, and he divorced in 1930. It is rumored that Cullen was a homosexual, and his relationship with Harold Jackman (“the handsomest man in Harlem”), was a significant factor in the divorce. The young, dashing Jackman was a school teacher and, thanks to his noted beauty, a prominent figure among Harlem’s gay elite. Van Vechten had used him as a character model in his novel Nigger Heaven (1926).
It’s very possible that the conflicted Cullen was in love with the homosexual Jackman, but Thomas Wirth, author of Gay Rebel of the Harlem Renaissance, Selections from the Work of Richard Bruce Nugent, says there is no concrete proof that they ever were lovers, despite newspaper stories and gossip suggesting the contrary.
Jackman’s diaries, letters, and outstanding collections of memorabilia are held in various depositories across the country, such as the Amistad Research Center at Tulane University in New Orleans and Atlanta University (now Clark Atlanta University) in Atlanta, Georgia. At Cullen’s death, Jackman requested that the name of the Georgia accumulation be changed from the Harold Jackman Collection to the Countee Cullen Memorial Collection in honor of his friend. When Jackman, himself, succumbed to cancer in 1961, the collection was renamed the Cullen-Jackman Collection to honor them both.
By 1929 Cullen had published four volumes of poetry. The title poem of The Black Christ and Other Poems (1929) was criticized for the use of Christian religious imagery – Cullen compared the lynching of a black man to the crucifixion of Jesus.
In 1940, Cullen married Ida Mae Robertson, whom he had known for ten years.
Cullen died from high blood pressure and uremic poisoning on January 9, 1946. He is buried in Woodlawn Cemetery in The Bronx, New York City.
The Countee Cullen Library, a Harlem branch location of the New York Public Library, bears Cullen’s name. In 2013, he was inducted into the New York Writers Hall of Fame.