The July 7th ArtCrawl Harlem fund raising performance of an excerpt from On The Block was a very special and rewarding evening. The excerpt entitled Intimate Strangers was the first sections choreographed for what would evolve into an eighty-minute one-act production. When Artistic Director Sheila Rohan and I embarked on the production for the Nanette…
Mayor Michael R. Bloomberg, Deputy Mayor for Economic Development Robert K. Steel and New York City Economic Development Corporation NYCEDC President Seth W. Pinsky today announced the selection of developers to rehabilitate the former Taystee Bakery Complex and the Corn Exchange Building, both located along the 125th Street commercial corridor in Harlem.
It’s time to “RAK it up!” No, I’m not talking about readying the billiard balls for a game of eight ball. Yes, I am talking about adding to the brownie points needed to enter the pearly gates.
Thelma Golden has been at the Studio Museum in Harlem since the turn of the millenium, first as the deputy director for exhibits and programs, and, since 2005, as the museum’s director and chief curator.
By Walter Rutledge The Faison Firehouse Theatre presented an original production entitled The Word, The Game, The Dance on Friday June 3rd.
By Walter Rutledge Three Black Kings was the last dance and music collaboration between choreographer Alvin Ailey and composer/musician Duke Ellington.
By Walter Rutledge Thursday April 28th is the last studio showing of the Harlem Dance Works 2.0 at the Dance Theatre of Harlem. The series has offered both balletomanes and dance novices a rare glimpse into the creative process of choreographers Thaddeus Davis and Tanya Wideman. This week the series is taking a very different…
By Walter Rutledge The curtain rises, the music begins and the lighting illuminates the space directly in front of us. Within seconds movement begins to soothe the rush of anticipation. Be it a group, duet or solo the number of people is not important; there in the dark the human form carves away the negative…
By Walter Rutledge Philadanco offered five performances at the Joyce Theater from March 29th to April 3rd. The company celebrated its 40th anniversary season with a program of four varied works. Each work showcased the energy and vitality that has became the trademark of the company.
By Walter Rutledge Ailey II has evolved into a formidable force in the modern dance community. The company is presently experiencing unparallel success having recently completed a 49-city tour spanning both North America and Europe. The professional work ethic is a combination of a nurturing dance symposium, and boot camp.
The Paul Taylor Dance Company www.ptdc.org is partnering with Talenthouse www.talenthouse.com and Self Magazine to give away two scholarships to the Summer Intensive in New York City! For dancers seeking a place in today’s competitive dance world, this is a once-in-a-lifetime opportunity! The Wall Street Journal recently wrote about the contest. The article is attached for…
In the brief time that I’ve been posting blog entries to Integral Post, rarely have I explicitly discussed the issue of race, which, it seems to me, is a blindspot of the Integral community. Yet I intend, more and more, to visit the theme of race and view it through an Integral lens.
Harry Houdini (born Erik Weisz; March 24, 1874 – October 31, 1926) was a Hungarian-born American magician and escapologist, stunt performer, actor and film producer noted for his sensational escape acts.
Eugenio Arango, better known as Totico, a Cuban-born percussionist and singer who was one of the most celebrated figures in the drumming, dancing and singing culture of New York rumba, died on Jan. 21 in the Bronx, where he lived. He was 76. His death, in a hospice, was confirmed by his godson, the percussionist…
By Michael Andre Adams I’ll say it again and again: Infiniti has got to be perhaps the greatest value in the luxury class of mass marketed cars that I know of!